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In Basquiat's Shadow: The Spook that Opened the Door
Who are Glenda and Milton Boone?
Frank Frazier:
Past, Present and Future
Louis Jefferson III
Mark G and the
Nude Expo
Paula Whaley
KBM Kreatrix
Leroy X. Edney
J. W. McPhail
African Heritage Collection
Cheryl Willis
Cicely Tyson
Frank Frazier
Laurie Cooper
Adrienne Mills
Sheats Repousse
Carolyn L. Mazloomi
Frank Morrison
Phyllis Stephens
Jega International
Jacob Arts
Michele Wood
Eugene Thomas
Justin Bua
Ernie Barnes
Annie Lee
Redfern Fine Art
Woodrow Nash
Faith Ringgold
Mari Hall
Burnett Curtis Grayson III
CJ Fletcher
Karen Y. Buster
Kelvin W. Henderson
LaShun Beal
Romare Bearden
Sidney Carter
Tom Feelings
Twin Hicks

Paula Whaley

By Alecia L. Dean

Baltimore doll designer Paula Whaley ’s work reveals“ an understanding of the human experience that is obvious in her dolls:spirituality and grace.” Interestingly, the most notable features on Paula Whaley ’s dolls are their expressive faces and highly detailed couture out fits, which are painstakingly hand-created. According to Barbara Whiteman in the book Black Dolls –Bold, Proud, and Beautiful, like the “mixed media pieces she creates, evoking both emotion and elegance in fluid whispers of things past and present, ”Paula ’s life is“ born of equal parts of love and loss.”She creates out of her “evolution to the pain ”of losing her brother, distinguished author James Baldwin,whose writing and lifestyle was ahead of his time. She has channeled her grief to create dolls stately enough to make their home in a museum or cozy enough for a home display.

Paula Whaley was born in Harlem, New York City, the youngest of nine children to Berdis and David Baldwin. Her oldest brother was the late author James Baldwin, expatriate and activist, who immortalized the streets of New York City with his literature. When her father died on the day she was born, it was her older brother James who stepped in immediately to help raise her. Whaley recalls, “He was much older than me and had already lived in Paris. I was a baby but he felt so guilty about me not having a father, he felt responsible for me.”

She was encouraged early on in life to explore her creativity. Paula graduated from the High School of Fashion and Design and at the age of 18, she moved to Paris, France to live with James and her youngest brother, David,a wood restorer. Living abroad changed her life, allowing her to live a life and forge an identity without the racial and socio-economic restrictions that denied many other African Americans their personal freedoms.“My relationship with James was extremely positive.He was like a father to me.

And living overseas was an incredibly enriching experience. "Her subsequent travels with Baldwin to Amsterdam, the South of France,and residency in London,quietly in fluenced Paula ’s life and craft as well; she learned early on that the sky is the limit for her gifts and dreams.Her life with James was abundant with many positive experiences;the exciting places they visited, the people he exposed her to.She later attended the Fashion Institute of Technology.

Whaley subsequently married and had a son. Though she is now divorced, her life reminds us that in art healing,honesty can be painful but therapeutic; her dolls re flect intense personal moments and memories. “During my mourning period, I met a young sculptor who literally said to me, ‘Put your hands in clay,’as clay making/sculpting is used as a therapeutic and restorative tool.The spirit then claimed the vessel,”she proclaims. Her art also helped her mourn the death of her younger uncle, David.

When considering a concept for a doll or sculpturing a piece, Whaley states, “I always try to celebrate the moment and enter into my world creatively.” And although she has never been to Africa, her forty inch tall Massai and Fulani Dolls, inspired by photos of the tribe,have the look and feel of being crafted by someone who was there amongst this group of people. Originally Whaley designed clothing, hats and jewelry, but as an “ever evolving seeker ” she moved to soft sculpting, clay, metal, woods, and silk. She has only taken one formal sculpting class, for hands, a year ago.

Even the name of Paula ’s design company, Oneeki, has cultural signi ficance. The feminine name, from the Yoruba language, means “treat her tenderly” –a guideline to how her dolls should be handled and words for men to live by when dealing with women. Tender is the “type of emotion she hopes her pieces inspire.”
The path leading her to Baltimore was a spiritual and healing one as well. A move here was not planned; a girlfriend was looking for a house and it was Whaley who was offered the property for purchase. She packed her bags and left her adopted hometown of Alexandria, VA, where she resided for thirteen years. Although Paula has reduced the number of doll shows she travels to, her work in the studio continues. “If my artistry can bring peace and harmony to each individual,my work is done.”

Find out more about Oneeki Designs at (410) 962-8592.